I had a plan, but then I work with an army of great artists and I want all of them to create inside that creation.”
BRIAN HENSONAnd with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it’s a real technical skill.
More Brian Henson Quotes
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And if the audience is in a kind of naughty, raunchy mood, then they’re going to make naughty, raunchy suggestions and then we take them and we do the scene anyway, and that’s part of the fun.
BRIAN HENSON -
But curriculum-wise, I was drawn to the sciences and specifically to physics, and I really enjoyed it and I think for a little while there, I was really thinking my schooling would be in physics, that that was something I loved.
BRIAN HENSON -
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the ’50’s and ’60’s, and we’re going to develop more, too.
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I think in a creative effort, in any creative effort, you need to, people need to be able to be taking risks and if it turns out to be a mistake, if it turns out not to have been the right choice, that should be applauded, you know, by everybody, and it will come up with another plan.
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Oh, well, I can’t tell you; it would be telling you the end. It’s a one-character lip-syncing because in the early days, that’s what my dad was doing.
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Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
BRIAN HENSON -
he puppeteers really responded to it. Patrick Bistrow really responded to it, it’s great fun to do improve comedy with puppets.
BRIAN HENSON -
But the fact that most of the show you can’t be prepared for, you have no idea really what’s coming is initially very nerve wracking, by now, it’s kind of fun.
BRIAN HENSON -
I think it’s a lot richer than what we call fleshy improv, I think it’s very funny, puppet improv and fleshy improv.
BRIAN HENSON -
People would say to him, “When you finish a movie, did it come out as good as you thought it was going to?” Or, “Did it come out the way you intended it to come out?”
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So it’s Rosemary Clooney – Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing. “
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So while you’re trying to improvise, you’re also trying to puppeteer, you’re doing everything that you need to do to perform a puppet in our style, for a camera.
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We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it’s sort of the tone and flavor, always, of the puppet work that we’ve done traditionally. And that’s what brought us here and now we’re here.
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I have nothing really prepared,” and actually I say that, the show is not all improvising.
BRIAN HENSON -
We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we’ve have audiences that don’t really want us to go too far in that direction.
BRIAN HENSON