And that was always my father’s favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.
BRIAN HENSONIt’s actually good when the performers are nervous, because it kind of sharpens up your brain and a little bit of adrenaline is good. Initially it’s really tough.
More Brian Henson Quotes
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We took a show to the Aspen Comedy Festival, called “Puppet Up” at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, “Please come to Edinborough.”
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My dad and mom were, they would take what were popular hits, and lip-sync to them with puppets and do a ridiculous story.
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In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the ’50’s and ’60’s, and we’re going to develop more, too.
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I’m doing something that’s quite precise over here, working the puppet, and I’m doing something that’s very imprecise and creative and unleashed over here, which is the comedy side. And it’s kind of nice to allow your brain to be doing those two things at once.
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And with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it’s a real technical skill.
BRIAN HENSON -
But curriculum-wise, I was drawn to the sciences and specifically to physics, and I really enjoyed it and I think for a little while there, I was really thinking my schooling would be in physics, that that was something I loved.
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But the fact that most of the show you can’t be prepared for, you have no idea really what’s coming is initially very nerve wracking, by now, it’s kind of fun.
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We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we’ve have audiences that don’t really want us to go too far in that direction.
BRIAN HENSON -
And if the audience is in a kind of naughty, raunchy mood, then they’re going to make naughty, raunchy suggestions and then we take them and we do the scene anyway, and that’s part of the fun.
BRIAN HENSON -
Oh, well, I can’t tell you; it would be telling you the end. It’s a one-character lip-syncing because in the early days, that’s what my dad was doing.
BRIAN HENSON -
I think it’s a lot richer than what we call fleshy improv, I think it’s very funny, puppet improv and fleshy improv.
BRIAN HENSON -
I try to emulate his approach of really get the most out of people by allowing them to experiment and certainly allowing people to make mistakes.
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I have nothing really prepared,” and actually I say that, the show is not all improvising.
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You get used to it, you look forward to the adrenaline of the stage fright before you go out.
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This is certainly the raunchiest, if you use that word, raunchy. The roots of Jim Henson, though, was adult comedy.
BRIAN HENSON