“Instead, a faint mist of light will fall for eternity through an ever colder and quieter cosmos.”

From the beginning, I wanted to make dance music with a human element to it.

I believe that through its rational evaluation of truth and indifference to personal belief, science transcends religious and political divisions and so does bind us into a greater, more resilient whole.

Writing for the stage is different from writing for a book. You want to write in a way that an actor has material to work with, writing in the first person not the third person, and pulling out the dramatic elements in a bigger way for a stage presentation.

In my stillness I am the eternal possibility. In my movement I am the cosmos.

That silent gap between your thoughts is your window to the cosmic mind.

Other times, you’re doing some piece of work and suddenly you get feedback that tells you that you have touched something that is very alive in the cosmos.

The cosmos doesn’t measure sweat and hours for reward. The cosmos deals in the currencies of joy and satisfaction.

To be the first to enter the cosmos, to engage, single-handed, in an unprecedented duel with nature-could one dream of anything more?

Math is the language of the universe. So the more equations you know, the more you can converse with the cosmos.

Aliens might be surprised to learn that in a cosmos with limitless starlight, humans kill for energy sources buried in the sand.

What are the lessons to be learned from this journey of the mind through the universe? That humans are emotionally fragile, perennially gullible, hopelessly ignorant masters of an insignificantly small speck in the cosmos. Have a nice day.