Spirits were seen to be very much part of the everyday world, and you were accosted by spirits all the time. It’s only really quite recently that we’ve relegated the fantastic as being just imagination and not real and having no purpose.
Art always used to involve spirit. Painters painted spirit. They painted by commission things to go into churches, and that was painting spirit. Or they would paint people of wealth, and they would try to show how they had power, and again, this is sort of spirit.
I went and studied graphic design, because it seemed to me that advertising is more honest – the image actually has a function. But once I started on that, I realized that was really boring.
The myths and legends about Faerie are many and diverse, and often contradictory. Only one thing is certain – that nothing is certain. All things are possible in the land of Faerie.
You do not see fairies through the eyes, you see them through the heart and that took me a long time to learn because I was always trying to see them through my eyes.
I had a job as an illustrator, and I wanted to change the direction of my work. I moved to the country, and immediately I started to paint fairies and trolls.
Remember, as each man and woman is a microcosm reflecting the larger natural world, so healing of the self is also a healing for the world. As above, so below.
In the 20th century, artists did a great disservice to fairies. They painted fairies in a way that was shallow and trite. So when people see my stuff, they suddenly realize the depth of fairies.
I live in a house that’s incredibly old, and it’s typical that part of it is slightly in the ground. It’s very earthed. It’s almost like living in a hobbit house.
My art’s not safe, I don’t want it to be safe, it’s not meant to be safe, its controversial, it takes you into deep areas, it’s a journey, its starts off in safe areas but it gets into deep waters.
