The myths and legends about Faerie are many and diverse, and often contradictory. Only one thing is certain – that nothing is certain. All things are possible in the land of Faerie.
I live in a house that’s incredibly old, and it’s typical that part of it is slightly in the ground. It’s very earthed. It’s almost like living in a hobbit house.
I had a job as an illustrator, and I wanted to change the direction of my work. I moved to the country, and immediately I started to paint fairies and trolls.
Art always used to involve spirit. Painters painted spirit. They painted by commission things to go into churches, and that was painting spirit. Or they would paint people of wealth, and they would try to show how they had power, and again, this is sort of spirit.
My art’s not safe, I don’t want it to be safe, it’s not meant to be safe, its controversial, it takes you into deep areas, it’s a journey, its starts off in safe areas but it gets into deep waters.
I went and studied graphic design, because it seemed to me that advertising is more honest – the image actually has a function. But once I started on that, I realized that was really boring.
Faeries are seen through the heart, not through the eyes. Remember that faeries inhabit the interior of the earth and the interior of all things, so look, in the first place, in the interior of yourself.
It was hard for me to move forward, because I take responsibility for what I introduce into the world through my paintings. So to actually introduce something evil or bad was quite hard for me.
Spirits were seen to be very much part of the everyday world, and you were accosted by spirits all the time. It’s only really quite recently that we’ve relegated the fantastic as being just imagination and not real and having no purpose.
Anytime that is ‘betwixt and between’ or transitional is the faeries’ favorite time. They inhabit transitional spaces: the bottom of the garden, existing in a space between manmade cultivation and wilderness.
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