I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENOPerhaps when music has been shouting for so long, a quieter voice seems attractive.
More Brian Eno Quotes
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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Composition is a way of living out your philosophy and calling it art.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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You don’t have to act as if you know what you’re doing
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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For the world to be interesting, you have to be manipulating it all the time.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO