The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENOThe vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENOThe Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
BRIAN ENOBecause if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
BRIAN ENOI always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENOI hate talking about music, to tell you the truth.
BRIAN ENOIt’s actually very easy for democracy to disappear.
BRIAN ENOStop thinking about art works as objects, and start thinking about them as triggers for experiences.
BRIAN ENOAs struggles go, being an artist isn’t that much of one.
BRIAN ENOMy lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
BRIAN ENOOne of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
BRIAN ENOPeople always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
BRIAN ENOWe have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENOAmbient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
BRIAN ENOThere are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
BRIAN ENOI think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
BRIAN ENOFor the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO