Think inside the work – outside the work
BRIAN ENOI prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
More Brian Eno Quotes
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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If something is good, you must torture it mercilessly until it is either dead or great.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
BRIAN ENO