In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENOI prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
More Brian Eno Quotes
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Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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Perhaps when music has been shouting for so long, a quieter voice seems attractive.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENO -
I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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It’s amazing how quickly people get used to bad quality.
BRIAN ENO -
I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
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You don’t have to act as if you know what you’re doing
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
BRIAN ENO






