If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENOThe Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
More Brian Eno Quotes
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For the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO -
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
BRIAN ENO -
In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
BRIAN ENO -
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO -
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO -
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO -
Set up a situation that presents you with something slightly beyond your reach.
BRIAN ENO -
I wanted to use the studio like a microscope for sound, which is what good engineers do.
BRIAN ENO -
So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
BRIAN ENO -
The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
BRIAN ENO -
I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENO -
I hate talking about music, to tell you the truth.
BRIAN ENO -
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENO -
Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
BRIAN ENO -
The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
BRIAN ENO