We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENOI had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
More Brian Eno Quotes
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If something is good, you must torture it mercilessly until it is either dead or great.
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If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
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I don’t like headphones very much, and I rarely listen to music on headphones.
BRIAN ENO -
Perhaps when music has been shouting for so long, a quieter voice seems attractive.
BRIAN ENO -
A part of me has become immortal, out of my control.
BRIAN ENO -
The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENO -
I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
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Admirers can be a tremendous force for conservatism.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
BRIAN ENO