I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLISBut this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you.
More Bret Easton Ellis Quotes
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I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
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I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
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She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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Everyone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
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…if you’re alone nothing bad can happen to you.
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What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me.
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Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
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I think we’ve all lost some kind of feeling.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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People are afraid to merge.
BRET EASTON ELLIS