I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLISMy mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
More Bret Easton Ellis Quotes
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No one is drawn to writing about being happy or feelings of joy.
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Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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The Smiths are singing and someone says “Turn that gay angst music off.
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Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
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Is evil something you are? Or is it something you do?
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So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?” “Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He…ate a balanced diet.
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Why was I holding on to something that would never be mine? But isn’t that what people do?
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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On the seals’ tank a plaque warns: COINS CAN KILL–IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL’S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL.
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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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I move on in search of a less dorky target. Though if he’d been a mime, odds are he’d already be dead.
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Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
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I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS