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Fear never shows up and the party ends early.

Bret Easton Ellis

So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
BRET EASTON ELLIS

Animal Audience Enjoyment Watch Zookeeper
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS

Men Moving Odds
But this road doesn’t go anywhere,” I told him. “That doesn’t matter.” “What does?” I asked, after a little while. “Just that we’re on it, dude,” he said.
BRET EASTON ELLIS

Anywhere Littles Matter
Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS

Control Directors Money
It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLIS

Character Dad Female Mom Smart
And,” Price adds, smiling, “if another round of Bellinis comes within a twenty-foot radius of our table we are going to set the maitre d’ on fire. So you know, warn him.
BRET EASTON ELLIS

Feet Fire Twenties
People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS

Agreement Eerie Sight
Hip,” I murmur, remembering last night, how I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.
BRET EASTON ELLIS

Night Running Thinking
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS

Director Issues Writing
Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
BRET EASTON ELLIS

Car People Phrases
I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
BRET EASTON ELLIS

Odds People Thinking
I think basically most men are misogynistic.
BRET EASTON ELLIS

Men Misogynistic Thinking
And as things fell apart, nobody paid much attention
BRET EASTON ELLIS

Apart Attention Thing
Fear never shows up and the party ends early.
BRET EASTON ELLIS

Ends Party Shows
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS

Female Males Medium Reason Thinking
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS

Assumptions Despite Everywhere Locked Permeated

Fear never shows up and the party ends early.

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Fear never shows up and the party ends early.

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