I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say “I love you I love you I love you” while stripping. I want you so bad it stings.
BRET EASTON ELLISIt’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
More Bret Easton Ellis Quotes
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I’m not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he’s not in the mood and doesn’t feel the juice. I don’t think discipline equals creativity.
BRET EASTON ELLIS -
I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
BRET EASTON ELLIS -
Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLIS -
Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
BRET EASTON ELLIS -
Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
BRET EASTON ELLIS -
I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
BRET EASTON ELLIS -
I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
BRET EASTON ELLIS -
With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
BRET EASTON ELLIS -
Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
BRET EASTON ELLIS -
My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS







