Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
BRENT SPINERI assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
More Brent Spiner Quotes
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I always refer to [Stardust Memories] as Sharon Stone’s and my first film.
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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So it was a really pleasant surprise when [Independence Day] turned out to be a successful film. I don’t know if you’ve heard that they’re going to be re-releasing it next Fourth of July in 3-D.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
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I assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
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I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
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Timing is everything, as you know.
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The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
BRENT SPINER