The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINERMarianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
More Brent Spiner Quotes
-
-
Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
BRENT SPINER -
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
BRENT SPINER -
Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
BRENT SPINER -
I think the potential for man is so enormous, if we can stay alive long enough, we’re going to be seeing a lot of what Star Trek is projecting.
BRENT SPINER -
There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
BRENT SPINER -
There’s such a grand fraternity of actors who’ve played the Joker, not the least of whom is Mark Hamill, who voiced it for so long and was so great. I did it one time and…
BRENT SPINER -
I don’t know you could do a whole film about Dr. Okun from Independence Day.
BRENT SPINER -
I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they’d write an arc if I’d do it.
BRENT SPINER -
I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
BRENT SPINER -
One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
BRENT SPINER -
It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
BRENT SPINER -
I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
BRENT SPINER -
I think honestly, believe it or not, that Dude, Where’s My Car? in a way represents its time better than almost any film made around that.
BRENT SPINER -
Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
BRENT SPINER -
That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
BRENT SPINER