One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
BRENT SPINER[The Aviator] came about through John Logan, who I’ve been friends with for many years.
More Brent Spiner Quotes
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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I think everyone agrees First Contact was our best film, and even at that, they’re kind of… I don’t know, they’re sort of movies. But they’re kind of really Star Trek movies, if you take my meaning. It’s hard for me to say. I was glad to be doing them.
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I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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There’s such a grand fraternity of actors who’ve played the Joker, not the least of whom is Mark Hamill, who voiced it for so long and was so great. I did it one time and…
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
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Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she’s the queen of the web.
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I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack’s daughter.
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I’ve toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it’s gone through several incarnations, and…
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We got to be really good friends [Jack Lemmon and Walter Matthau]. It was just thrilling, every day. Every single day. I had a big couple of musical numbers in [Out to Sea], and I remember doing one of them and shooting it from beginning to end.
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[ Felicia Day] is really figured it all out, and it was impressive. It was nothing like our set, because her set was like working on a real film.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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It wasn’t ’til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.
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I always refer to [Stardust Memories] as Sharon Stone’s and my first film.
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