Timing is everything, as you know.
BRENT SPINERI think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
More Brent Spiner Quotes
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I’ve gotten some feedback on it from people who’ve seen it and really enjoyed it, but I don’t know.
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Any job you can go to and have a laugh everyday has got to be a good job.
BRENT SPINER -
A job is a job. And I like to work.
BRENT SPINER -
I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom.
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In my heart, I’ve never left Brazil.
BRENT SPINER -
That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.
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Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
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Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
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Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
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I assumed, “Well, I must’ve sounded like Conan O’Brien, or a reasonable facsimile or something.” And there I am in the movie [South Park: Bigger, Longer & Uncut ]. I was very lucky.
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I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.
BRENT SPINER -
And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
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It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
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People think that being on Star Trek is career suicide, but it’s really just the opposite
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The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINER