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Photography is the very conscience of painting. It constantly reminds the later of what it must not do.

Brassai

A poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time.
BRASSAI

Chance Photographer Photography
The wall, safe haven for what is forbidden, gives a voice to all those who would, without it, be condemned to silence
BRASSAI

Safe Haven Voice Wall
I think education and intelligence (are) important, but not art. Not artistic education.
BRASSAI

Art Important Thinking
My only aim was to express reality, for there is nothing more surreal than reality itself. If reality fails to fill us with wonder, it is because we have fallen into the habit of seeing it as ordinary.
BRASSAI

Habit More Nothing Ordinary Seeing
What attracts the photographer is precisely the chance to penetrate inside phenomena, to uncover forms…
BRASSAI

Chance Lasts Photographer
In the absence of a subject with which you are passionately involved, and without the excitement that drives you to grasp it and exhaust it, you may take some beautiful pictures, but not a photographic oeuvre.
BRASSAI

Beautiful May Photography
My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality.
BRASSAI

Ordinary Reality Vision
The precise instant of creation is when you choose the subject. (meaning that the essential thing occurs at the moment when he, the photographer, meets the reality he wishes to capture.
BRASSAI

Essentials Reality Wish
But still, everything passes throught your imagination. What you produce at the end is very different from the reality you started with.
BRASSAI

Differently Everything Produce Started
Photography is the very conscience of painting. It constantly reminds the later of what it must not do.
BRASSAI

Conscience Painting Photography
We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods.
BRASSAI

Business End never Shamelessly Wanted
My ambition was always to show aspects of daily life as if we were seeing them for the first time.
BRASSAI

Ambition Daily Firsts Life
André Kertész has two qualities that are essential for a great photographer: an insatiable curiosity about the world, about people, and about life, and a precise sense of form.
BRASSAI

Curiosity People Two
To me photography must suggest, not insist or explain.
BRASSAI

Explain Photography Suggest
I think that it is by capturing reality in the humblest, most sincere, most everyday way I can, that I can penetrate to the extraordinary.
BRASSAI

Capturing Photographer Sincere Thin
For me the criterion of a good photograph is that it is unforgettable.
BRASSAI

Criteria Photograph Unforgettable

Photography is the very conscience of painting. It constantly reminds the later of what it must not do.

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Photography is the very conscience of painting. It constantly reminds the later of what it must not do.

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