André Kertész has two qualities that are essential for a great photographer: an insatiable curiosity about the world, about people, and about life, and a precise sense of form.
BRASSAII think education and intelligence (are) important, but not art. Not artistic education.
More Brassai Quotes
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I think that it is by capturing reality in the humblest, most sincere, most everyday way I can, that I can penetrate to the extraordinary.
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My ambition was always to show aspects of daily life as if we were seeing them for the first time.
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If you take your inspiration from nature, you don’t invent anything, because what you want to do is to interpret something.
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But still, everything passes throught your imagination. What you produce at the end is very different from the reality you started with.
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I think education and intelligence (are) important, but not art. Not artistic education.
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In the absence of a subject with which you are passionately involved, and without the excitement that drives you to grasp it and exhaust it, you may take some beautiful pictures, but not a photographic oeuvre.
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We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods.
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My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality.
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Photography is the very conscience of painting. It constantly reminds the later of what it must not do.
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To me photography must suggest, not insist or explain.
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The wall, safe haven for what is forbidden, gives a voice to all those who would, without it, be condemned to silence
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What attracts the photographer is precisely the chance to penetrate inside phenomena, to uncover forms…
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For me the criterion of a good photograph is that it is unforgettable.
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… we photographers are nothing but a pack of crooks, thieves and voyeurs.
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A poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time.
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