I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALIShis special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
More Branford Marsalis Quotes
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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My job is to write songs that have emotional meaning to me.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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