One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
BRANFORD MARSALISIf I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
More Branford Marsalis Quotes
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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