If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISIf I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
More Branford Marsalis Quotes
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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