If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISIf I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
More Branford Marsalis Quotes
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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My job is to write songs that have emotional meaning to me.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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So much of Jazz doesn’t have an audience other than music students or musicians.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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