If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISYou know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
More Branford Marsalis Quotes
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My job is to write songs that have emotional meaning to me.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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