You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
BRANFORD MARSALISYou know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
More Branford Marsalis Quotes
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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My job is to write songs that have emotional meaning to me.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
BRANFORD MARSALIS






