The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
BRANFORD MARSALISI like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
More Branford Marsalis Quotes
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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My job is to write songs that have emotional meaning to me.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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