If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISI like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
More Branford Marsalis Quotes
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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