Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
BRANFORD MARSALISThe way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
More Branford Marsalis Quotes
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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My job is to write songs that have emotional meaning to me.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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