My job is to write songs that have emotional meaning to me.
BRANFORD MARSALISYou hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
More Branford Marsalis Quotes
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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So much of Jazz doesn’t have an audience other than music students or musicians.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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