One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALISPop doesn’t really look back. It can’t. What makes pop work is simplicity.
More Branford Marsalis Quotes
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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