I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALISEverybody talks about finding your voice. Do your homework and your voice will find you.
More Branford Marsalis Quotes
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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