Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
BRANFORD MARSALISI’m not going to play funk licks on a jazz album. That makes no sense.
More Branford Marsalis Quotes
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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My job is to write songs that have emotional meaning to me.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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