My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALISThe piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
More Branford Marsalis Quotes
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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