If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISWhen you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
More Branford Marsalis Quotes
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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