My job is to write songs that have emotional meaning to me.
BRANFORD MARSALISHumans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
More Branford Marsalis Quotes
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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