I’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALISMy job is to write songs that have emotional meaning to me.
More Branford Marsalis Quotes
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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So much of Jazz doesn’t have an audience other than music students or musicians.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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