The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
BRANFORD MARSALISMy job is to write songs that have emotional meaning to me.
More Branford Marsalis Quotes
-
-
If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALIS -
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
BRANFORD MARSALIS -
What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
BRANFORD MARSALIS -
My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALIS -
The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
BRANFORD MARSALIS -
When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
BRANFORD MARSALIS -
You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
BRANFORD MARSALIS -
The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
BRANFORD MARSALIS -
What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
BRANFORD MARSALIS -
I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALIS -
It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
BRANFORD MARSALIS -
I’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALIS -
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALIS -
If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALIS -
Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
BRANFORD MARSALIS