his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
BRANFORD MARSALISMy job is to write songs that have emotional meaning to me.
More Branford Marsalis Quotes
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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My job is to write songs that have emotional meaning to me.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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