The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
BRANFORD MARSALISOne of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
More Branford Marsalis Quotes
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
BRANFORD MARSALIS