I’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALISI’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALISI think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALISMy dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALISThe whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
BRANFORD MARSALISOne of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALISThe way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
BRANFORD MARSALISI like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALISHumans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
BRANFORD MARSALISEverybody talks about finding your voice. Do your homework and your voice will find you.
BRANFORD MARSALISIf it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISColtrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
BRANFORD MARSALISPop doesn’t really look back. It can’t. What makes pop work is simplicity.
BRANFORD MARSALISSo much of Jazz doesn’t have an audience other than music students or musicians.
BRANFORD MARSALISThe piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
BRANFORD MARSALISYou know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
BRANFORD MARSALIShis special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
BRANFORD MARSALIS