When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
BRANFORD MARSALISOne of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
More Branford Marsalis Quotes
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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