The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
BRANFORD MARSALISYou don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
More Branford Marsalis Quotes
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I’m not going to play funk licks on a jazz album. That makes no sense.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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My job is to write songs that have emotional meaning to me.
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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