I’m not going to play funk licks on a jazz album. That makes no sense.
BRANFORD MARSALISYou don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
More Branford Marsalis Quotes
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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