My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALISYou don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
More Branford Marsalis Quotes
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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My job is to write songs that have emotional meaning to me.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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So much of Jazz doesn’t have an audience other than music students or musicians.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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