One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALISI think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
More Branford Marsalis Quotes
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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My job is to write songs that have emotional meaning to me.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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