I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALISI think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
More Branford Marsalis Quotes
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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I’m not going to play funk licks on a jazz album. That makes no sense.
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My job is to write songs that have emotional meaning to me.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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