The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
BRANFORD MARSALISSo much of Jazz doesn’t have an audience other than music students or musicians.
More Branford Marsalis Quotes
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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Everybody talks about finding your voice. Do your homework and your voice will find you.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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My job is to write songs that have emotional meaning to me.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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I’m not going to play funk licks on a jazz album. That makes no sense.
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I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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