Everybody talks about finding your voice. Do your homework and your voice will find you.
BRANFORD MARSALISWhat you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
More Branford Marsalis Quotes
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My job is to write songs that have emotional meaning to me.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
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So much of Jazz doesn’t have an audience other than music students or musicians.
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
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Coltrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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I’m not going to play funk licks on a jazz album. That makes no sense.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
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The piano is the X factor. People have a tough time following the structures when there’s no piano there, spelling it out. It makes it more easily understood, particularly to people who don’t know as much about music.
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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