If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISIf I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
BRANFORD MARSALISMy dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALISWhat is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
BRANFORD MARSALISWhen people go to concerts, they say I’m going to see… not, I’m going to hear.
BRANFORD MARSALISHumans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
BRANFORD MARSALISI like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALISIf it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALISThe way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
BRANFORD MARSALISI don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
BRANFORD MARSALISYou know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
BRANFORD MARSALISIt’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
BRANFORD MARSALISColtrane came to New Orleans one day and he was talking about the jazz scene. And Coltrane mentions that the problem with jazz was that there were too few groups.
BRANFORD MARSALISYou hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don’t.
BRANFORD MARSALISWhen you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
BRANFORD MARSALISOne of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
BRANFORD MARSALISI think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALIS