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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.

Branford Marsalis

When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
BRANFORD MARSALIS

Identification Mean Titles
I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
BRANFORD MARSALIS

Care Swings Use
So much of Jazz doesn’t have an audience other than music students or musicians.
BRANFORD MARSALIS

Jazz Music Students
If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
BRANFORD MARSALIS

Ifs Sound Stations
The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
BRANFORD MARSALIS

Biggest Country Kids People
It’s hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there’s no buzz, there’s no interest.
BRANFORD MARSALIS

Culture Focus Intellectual
I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
BRANFORD MARSALIS

Doors Needs Thinking
What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
BRANFORD MARSALIS

Couple Sound Stupid Trails
I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
BRANFORD MARSALIS

Artist Records Sound
My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
BRANFORD MARSALIS

Dad House Taken
The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you’re going to play. I’m saying let’s break the formula.
BRANFORD MARSALIS

Average Giving Play
Humans are imperfect. That’s one of the reasons that classical and jazz are in trouble. We’re on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.
BRANFORD MARSALIS

Inspiring Men Perfect
Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
BRANFORD MARSALIS

Looks Music Simplicity
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
BRANFORD MARSALIS

Band Listening Musician
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
BRANFORD MARSALIS

Skills Successful Understanding
Everybody talks about finding your voice. Do your homework and your voice will find you.
BRANFORD MARSALIS

Findings Homework Voice

The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.

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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.

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