his special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
BRANFORD MARSALISIf it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
More Branford Marsalis Quotes
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You don’t know what you like, you like what you know. In order to know what you like, you have to know everything.
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I like to make records sound good. I’m more like a reducer than a producer. If an artist cannot produce themselves, what’s the point?
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My dad was a musician, it was just what he did, like another guy’s dad drives a meat truck. Our house was normal. We weren’t taken with the fact our dad was a musician.
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The way to learn the language is to rip off other players. As Benny Golson told me, “We all start off sounding like other cats.
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When people go to concerts, they say I’m going to see… not, I’m going to hear.
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You know, being America, being the land of “number ones”, everyone wants to be a leader before they follow.
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The biggest problem with American music right now, is that kids don’t listen. They come by it honestly, Americans don’t listen anyway.
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I don’t care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. T
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Pop doesn’t really look back. It can’t. What makes pop work is simplicity.
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What is jazz? It, It’s almost like asking, What is French? Jazz is a musical language. It’s a musical dialect that actually embodies the spirit of America.
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One of the things that’s clear to me from interviews that I’ve read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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If I were like a lot of other people, then it wouldn’t be fun; but since I’m like me, it’s okay.
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When you’re dealing with music without words, titles are more a means of identification than anything else. What’s the point of getting lofty?
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If it’s not going to sound like Terrapin Station, what’s the point of playing Terrapin Station?
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