I take two hours off for my family every day. And then I write fourteen hours.
BRANDON SANDERSONI take two hours off for my family every day. And then I write fourteen hours.
BRANDON SANDERSONThe best performances, are those that can be performed once.
BRANDON SANDERSONWhen I write my books, actually I’m known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
BRANDON SANDERSONA thing of nature. For every Push, there is a Pull. A consequence.
BRANDON SANDERSONHow do you ‘accidentally’ kill a noble man in his own mansion?” “With a knife in the chest. Or, rather, a pair of knives in the chest.
BRANDON SANDERSONThat isn’t greatness. That’s just foolishness.
BRANDON SANDERSONA person knows when they’re in darkness, even when they can’t see. -Nightblood
BRANDON SANDERSONWar is far worse. At least where politics is going on, there are usually nice hors d’oeuvres.
BRANDON SANDERSONThe wood bounced off the man’s helmet, but the blow was powerful enough to daze him, so Lukel followed it with a solid blow to the face. The soldier dropped and Lukel grabbed his weapon. Now he had a sword. He only wished he knew how to use it.
BRANDON SANDERSONYou people are all insane. How I ended up with you, I’ll never know.” Breeze laughed. “Now, that’s a lie, Cett. You know exactly how you ended up joining with us. We threatened to kill you if you didn’t!
BRANDON SANDERSONAn ominous crash came from the clouds above them, and Raoden felt a wet drop splat against his head. “Fantastic,” Galladon grumbled. “I’m enjoying myself already.
BRANDON SANDERSONHow did men believe in something that preached love on one hand, yet taught destruction of unbelievers on the other? How did one rationalize belief with no proof?
BRANDON SANDERSONI still doubt it will work.” “You’d doubt the sun’s rising if you weren’t proven wrong each day,” Raoden said with a smile.
BRANDON SANDERSONThe more limitations you put on a character often times the better a character you’ll make them, the more interesting the story becomes because the character can’t simply wave a hand and make something happen. They have to work within the framework.
BRANDON SANDERSONIt’s what happens when you shoot someone,” Wayne pointed out. “At least, usually someone has the good sense to get dead when you go to all the trouble to shoot them.
BRANDON SANDERSONYou’ll never learn how to do your endings until you FINISH your endings.
BRANDON SANDERSON