But now, with the last two years of touring and being on the road, I’ve learned that a live show should never sound like a record; a record should sound like a live show.
There’s a lot of really inspiring music coming around the bend – we tend to believe that to sound classic or timeless is to sound vintage or retro. It’s a little bit dangerous, because you’ll really miss a chance to make your mark as a generation.
So much of the way a singer physically damages their voice could be caused by stress or nerves. I would never be so brazen as to assume that it’s the only problem but there’s got to be a reason that a martial artist can harness enough peace to smash his head through a cinder block without leaving a scratch.
I feel like a lot of the singer-songwriters in my genre and in my generation have gotten more and more snooty about covering other people’s songs. They believe that creativity is the intersect of expression.
I have vocal trouble from time to time associated with sleep or wine! Or from sleeping in a bunk the size of a coffin and breathing in bus air conditioning all day.
I’m not so arrogant to consider mine the only legitimate art form. I can’t in one breath make a fuss about someone compartmentalizing music into genre and then in the next accuse advertising and short film of not being art.
I’d love to claim the title of ‘songwriter’ or ‘intellectual,’ but the truth is that anything that I ever learned how to do in conjunction with music was purely so that I would have a platform to sing from.
Writing is sort of putting a puzzle together halfway. Then, performing it has always been the completion of it. Once that happens, I’m feeling verbally communal with other people. It’s out there and I feel so much better about it.
