When you act, you’re always playing a version of yourself. You can’t bring more to the role than what you are
BRADLEY WHITFORDWith the success of a show, you get an opportunity to call attention to things that you believe in.
More Bradley Whitford Quotes
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You don’t want to become one of those Hollywood idiots who is just blathering about anything
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Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to… y’know, we’ll plan ideas and we’ll certainly tussle about stuff when the script comes out.
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I was at the vice president’s Christmas party. I thought that his speech was spectacular, and I knew that it was a very emotional and difficult thing for him to do, but I admonished him for not waiting just one more stinking day.
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The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
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I identify with this guy’s frustration and inability to control his fury at moments. I even identify with the way that this guy covers up a lot with humour. So yeah, it’s interesting.
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In the right situation, acting on television can be extraordinarily satisfying creatively. But that’s incredibly rare. Otherwise, it can be like working in a really remunerative coal mine. That’s the down side.
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I used to defend the West Wing show from the charge of sentimentality or wish-fulfilment, because I think if you do go into the Barack Obama White House you will find six or seven people around him who are true believers.
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Having an affair with an intern is just an incredibly stupid thing to do.
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You don’t want your credibility banana to turn brown, but you do want to speak out about what you believe in.
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I did not always agree, personally, on the positions that Bartlet, character from the West Wing, took and I argued against them on many occasions. But Aaron Sorkin said, “Martin, that’s you, that’s not Barlet.
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The invisible carnage of the unf-ed wives and the children not being read to is just wafting out.
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We’re telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
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I am an old, old friend of Aaron Sorkin’s, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time.
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Only two things ever stop the government from doing anything: money and politics
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We make these people climb this filthy rope and then we stand at the bottom and say, “Hey, your hands are dirty!” To show heroic, progressive, democratic politics at work was more than I ever expected.
BRADLEY WHITFORD