Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to… y’know, we’ll plan ideas and we’ll certainly tussle about stuff when the script comes out.
I used to defend the West Wing show from the charge of sentimentality or wish-fulfilment, because I think if you do go into the Barack Obama White House you will find six or seven people around him who are true believers.
The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
I did not always agree, personally, on the positions that Bartlet, character from the West Wing, took and I argued against them on many occasions. But Aaron Sorkin said, “Martin, that’s you, that’s not Barlet.
The world is very scary. The world would be scary without the choices the current administration made, but they just exacerbated it. And it ticks me off. I want my kids to have a good life.
I am an old, old friend of Aaron Sorkin’s, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time.
Early on in my career I got a part in Revenge Of The Nerds II: Nerds In Paradise. If I hadn’t done that I wouldn’t have met Tim Busfield and if I hadn’t met Tim Busfield, I wouldn’t have met Aaron Sorkin. So Nerds II took me straight to the White House!
It’s a very political decision he has to make.” I found from the very beginning that when I infused my own personal feelings about an issue it went against the grain of the character.
We’re telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
In the right situation, acting on television can be extraordinarily satisfying creatively. But that’s incredibly rare. Otherwise, it can be like working in a really remunerative coal mine. That’s the down side.
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