Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to… y’know, we’ll plan ideas and we’ll certainly tussle about stuff when the script comes out.
BRADLEY WHITFORDWith the success of a show, you get an opportunity to call attention to things that you believe in.
More Bradley Whitford Quotes
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I am an old, old friend of Aaron Sorkin’s, who is the executive producer and writer. He had been talking about doing a political show for a long time and I had been interested in it for a long time.
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Early on in my career I got a part in Revenge Of The Nerds II: Nerds In Paradise. If I hadn’t done that I wouldn’t have met Tim Busfield and if I hadn’t met Tim Busfield, I wouldn’t have met Aaron Sorkin. So Nerds II took me straight to the White House!
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I identify with this guy’s frustration and inability to control his fury at moments. I even identify with the way that this guy covers up a lot with humour. So yeah, it’s interesting.
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The world is very scary. The world would be scary without the choices the current administration made, but they just exacerbated it. And it ticks me off. I want my kids to have a good life.
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The moment I became available, he called me last year and asked me if I wanted to do it and then I just had to audition for the powers that be, and I got it.
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Being an actor, you always feel like you’re swimming upstream. People are going, “No, they don’t like you. They don’t like the way you look. They don’t like how old you are.”
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As an actor you always feel like you’re swimming upstream.
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You need to be real enough to be believable, but you don’t necessarily have to be real enough to be real. There is a distinction.
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With the success of a show, you get an opportunity to call attention to things that you believe in.
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When you act, you’re always playing a version of yourself. You can’t bring more to the role than what you are
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Take action. Every story you’ve ever connected with, every leader you’ve ever admired, every puny little thing that you’ve ever accomplished is the result of taking action.
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The invisible carnage of the unf-ed wives and the children not being read to is just wafting out.
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We’re telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
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Having an affair with an intern is just an incredibly stupid thing to do.
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In the right situation, acting on television can be extraordinarily satisfying creatively. But that’s incredibly rare. Otherwise, it can be like working in a really remunerative coal mine. That’s the down side.
BRADLEY WHITFORD






