You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
BRADFORD COXWhen money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
More Bradford Cox Quotes
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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The same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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I don’t have anything to prove.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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