I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
BRADFORD COXI played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
More Bradford Cox Quotes
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What could be more experimental than me writing a straight up love song?
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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Unfortunately it’s hard for me to be a fanboy for anything these days just because I see so much music.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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