The best moments can’t be preconceived. I’ve spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
I’m probably 20 percent atheist and 80 percent agnostic. I don’t think anyone really knows. You’ll either find out or not when you get there, until then there’s no point thinking about it.
I had a friend who worked at a hospice, and he said people in their final moments don’t discuss their successes, awards or what books they wrote or what they accomplished. They only talk about their loves and their regrets, and I think that’s very telling.
I’m not a big proponent of happiness. I think it’s highly overrated. I think misery is underrated. There’s so much value in that. You can’t have one without the other.
So much of making movies is about discovery on the day, what you’re figuring out. If you know everything going in, then it’s not worth doing – it’s already done. I’m interested in finding people who I think have a voice – and a very specific voice.
So much of making movies is about discovery on the day, what you’re figuring out. If you know everything going in, then it’s not worth doing – it’s already done. I’m interested in finding people who I think have a voice – and a very specific voice.
