I phoned my grandparents and my grandfather said ‘We saw your movie.’ ‘Which one?’ I said. He shouted ‘Betty, what was the name of that movie I didn’t like?
So much of making movies is about discovery on the day, what you’re figuring out. If you know everything going in, then it’s not worth doing – it’s already done. I’m interested in finding people who I think have a voice – and a very specific voice.
I’m actually very snobbish about directors. I have to say no all the time. ‘No’ is the most powerful word in our business. You’ve got to protect yourself… To leave home, it’s got to be worth leaving. It’s got to be worth it.
This idea of perpetual happiness is crazy and overrated, because those dark moments fuel you for the next bright moments; each one helps you appreciate the other.
I believe you make your day. You make your life. So much of it is all perception, and this is the form that I built for myself. I have to accept it and work within those compounds, and it’s up to me.
The best moments can’t be preconceived. I’ve spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
