So much of making movies is about discovery on the day, what you’re figuring out. If you know everything going in, then it’s not worth doing – it’s already done. I’m interested in finding people who I think have a voice – and a very specific voice.
The best moments can’t be preconceived. I’ve spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
Any love involves loss, and that’s the risk you take. And the greater the love, the greater the loss. I certainly feel that now with the woman I’m with, and the children that I have. But whatever the course may be, this time together is extraordinary.
I believe you make your day. You make your life. So much of it is all perception, and this is the form that I built for myself. I have to accept it and work within those compounds, and it’s up to me.
I phoned my grandparents and my grandfather said ‘We saw your movie.’ ‘Which one?’ I said. He shouted ‘Betty, what was the name of that movie I didn’t like?
