So much of making movies is about discovery on the day, what you’re figuring out. If you know everything going in, then it’s not worth doing – it’s already done. I’m interested in finding people who I think have a voice – and a very specific voice.
The best moments can’t be preconceived. I’ve spent a lot of time in editing rooms, and a scene can be technically perfect, with perfect delivery and facial expression and timing, and you remember all your lines, and it is dead.
I’m not a big proponent of happiness. I think it’s highly overrated. I think misery is underrated. There’s so much value in that. You can’t have one without the other.
I had a friend who worked at a hospice, and he said people in their final moments don’t discuss their successes, awards or what books they wrote or what they accomplished. They only talk about their loves and their regrets, and I think that’s very telling.
By employing the intelligence of natural systems we can create industry, buildings, even regional plans that see nature and commerce not as mutually exclusive but mutually coexisting.
Democracy doesn’t work unless people are well informed, and I don’t know that we are. People just don’t have the time. Most people’s daily lives are just about surviving. Most people don’t have time to really study crucial issues.
